Next to Daisy’s, on top of the laundry zine the prints themselves were to

the prints themselves were to be transformed once again by the medium of the book

Unfit for life and terribly cozy at the same time

Russian Rust Belt incorporates Gignoux’s photographs of the Ural industrial region taken during a residency with the National Centre for Contemporary Art in Yekaterinburg in 2009

is a long term project that refers to the constantly changing landscape

Next to Daisy’s, on top of the laundry zine the prints themselves were toBehind a standardized, white door at Strmstragrnd, a magical world reveals itself. Stepping over the threshold, the visitor finds herself surrounded by a myriad of otherworldly creatures of various forms and sizes. In a corner of the room, a choir of small flowers sings a serenade, led by a cheeky duck and in the opposite end of the room, a thin limbed youngster far too tall for his supposed age looms. The adolescent appears to be sad; perhaps