Max Bill ø 32,7 mm vergoldet | Zahlenblatt | Quarzuhrwerk teigschaber Die universal-Schrift wird von Herbert

Die universal-Schrift wird von Herbert Bayer in den 1960er Jahren für das von ihm entworfene Logo des Bauhaus-Archiv Berlin verwendet

Beautifully shaped water kettle - a design classic from Japan

Zwischen zwei Weltkriegen

1986 gründen Piero Lissoni und Nicoletta Canesi Lissoni Associati

Max Bill ø 32,7 mm vergoldet | Zahlenblatt | Quarzuhrwerk teigschaber Die universal-Schrift wird von HerbertClassic design, contemporary inner workings thanks to the quartz movement, it does not need to be wound daily. Max Bill designed the distinctly simple dial, unadorned and easy to read. His graphic design is characterized by clarity and well balanced proportions. The unmistakably domed glass, which to this day can only be made from plastic, is relatively scratch resistant. Max Bill designed the watch in 1962 for the then common hand wound movement; for